Dr Ben Francombe
Head of Department of Theatre
About
Ben Francombe has been Head of Theatre at Chichester since 2004.
Previously, he was Head of Acting at Bretton Hall (1997 鈥� 2004).
Ben served as an elected member of the Board of the Governors of the 香港六合论坛 between 2008 and 2011 and is, currently, a member of Academic Board.
He is a Senior Fellow of the Higher Education Academy, with a particular interest in innovation in taught-programme design: he has extensive experience as an external examiner and external consultant for programme approval (most recently for the Open University). Between 2014 and 2017, Ben was a Visiting Professor at California Institute of Integral Studies (CIIS), San Francisco, where he was programme chair for the unique International MFA programme in Theatre-Performance Making, validated jointly by Chichester and CIIS.
Ben is an established professional Dramaturg, with extensive experience of working with a range of key performance makers.
Professional
Professional Practice: Dramaturg
Dramaturgy for the Paper Birds (www.thepaperbirds.com): In an Month of Fallen Sundays (2004); In a Thousand Pieces (2008); Others (2010) and On the One Hand (2013).
Dramaturgy for Search Party (www.searchpartyperformance.org.uk): Growing Old with You (2010) 鈥� a life-long performance project, which will re-engaged every five years; Save Me (2010/11) – a recurring site-based event, exploring territory, distance and communication using semaphore; My Son and Heir (2013/14)
Dramaturgy for 1927 (www.19-27.co.uk) on the multi-award-winning shows The Animals and Children took to the Streets (2010, National Theatre), and Golem (2013, Young Vic).
Dramaturgy for Two Destination Language (www.twodestinationlanguage.com): Manpower (2016)
Key Publications
2016听鈥淭om MacIntyre – A Slow Surrender: finding a theatrical voice through the plays of the 1070s鈥� in The Irish Theatre and Performance Reader, selected and introduced by Finola Cronin and Eamonn Jordan, Dublin: Carysfort Press.
2013听(With Kylie Walsh) On the One Hand 鈥� A Commemorative Look At 10 Years of the Paper Birds, produced in collaboration with the 香港六合论坛
2012听鈥淥ne Day in the Wonderful World of 1927鈥�, in The Animals and Children took to the Street, National Theatre Programme Article
2011听鈥�11 Days in Bristol鈥� in Ben Francombe, Jodie Hawkes and Peter Phillips (eds.) Save Me: A Conversation Across the City, Bristol: Arnolfini, pp 14 鈥� 21
2010听鈥淭he Long Surrender: finding a theatrical voice through the plays of the 1970s鈥� in Bernadette Sweeney and Marie Kelly (eds.) The Theatre Work of Tom MacIntyre: Strays from the Ether, Dublin: Carysfort Press, pp 65 鈥� 80
2005听鈥淭om Murphy鈥� in Bull (ed.) Dictionary of Literary Biography, Vol. 310. British and Irish Dramatists Since World War II Fourth Series, Bruccoli Clark Layman, pp 170 鈥� 178.
2002听鈥淔alling off a Wall: Degrees of Change in British Actor Training鈥�, Studies in Theatre and Performance, Vol. 21, No. 3 鈥� 2002, pp 176 鈥� 187
2001听鈥淔rank McGuinness鈥� in Bull (ed.) Dictionary of Literary Biography, Vol. 245. British and Irish Dramatists Since World-War II Third Series, Bruccoli Clark Layman, pp 267 鈥� 275.
1998听鈥淢emories and Movement:聽 Dancing at Lughnasa, Brian Friel, and the transigence of place鈥� in Norquay and Smith (ed.) Space and Place: The Geographies of Literature, Liverpool University Press, Liverpool:, pp 87 鈥� 95.
1996听(With John Bull) 鈥淪tanding Conference of University Drama Departments Survey of Undergraduate Drama 香港六合论坛鈥�, Studies in Theatre Production, (14) December 1996, pp 70 – 98.
1994听鈥淪chool of Thought: New Approaches to New Writing in Scotland鈥�, Theatre Scotland Vol. 3, Issue 11, Autumn 1994, pp5-7.
1994听聽鈥淟overs by Brian Friel鈥�, Commissioned by the Scottish Curriculum Council.
Research
His main research interests are: place and performance; marginality and post-colonial discourse in contemporary British theatre and performance; modern Irish Drama; the politics of performance training and the professional and the amateur in creative practice.
He has written on the subjects of the Chichester Festival Theatre, Lone Twin, the Scottish National Theatre, Practice as Research in Performance, British Actor Training and on the work of Search Party, The Paper Birds and playwrights John McGrath, Tom Mac Intyre, Brian Friel, Tom Murphy and Frank McGuinness.
Ben welcomes enquiries from prospective research students on any of these subjects.
PhD supervision
His main research interests are: place and performance; marginality and post-colonial discourse in contemporary British theatre and performance; modern Irish Drama;聽the politics of performance training and the professional and the amateur in creative practice.
Ben welcomes enquiries from prospective research students on any of these subjects.
Research Output
Book Sections
Francombe, B. (2016) In: Contemporary Irish Theatre and Performance Studies Reader. Carysfort Press Limited, Dublin, pp. 463-478. ISBN 9781909325944
Francombe, B. (2011) In: Animals & Children Took to the Streets Programme. National Theatre, London. ISBN 9786000004408
Francombe, B. (2010) In: The Theatre of Tom MacIntyre: 'Strays from the Ether'. Craysfort Press, Dublin. ISBN 9781904505464
Books
Francombe, B., Hawkes, J. and Phillips, P. (2011) Arnolfini, Bristol. ISBN 9780956888624
Other department members
Andy Roberts
Showroom Administrator - Theatre (Performing Arts)/Dance
